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The David W. Niven Collection of Early Jazz Legends, 1921-1991

David W. Niven

650 tapes · 1,000 hours · 1,378 WAV files · 637 GB · 691 JPEG scans of cassette liner cards & literature. Meticulously Collected, Compiled, and Narrated by David W. Niven, 1930-1993. Generously Donated by David W. Niven to the Foxborough High School Jazz Program, Stephen C. Massey, Director, 2010. Archived to CD-Quality Digital Audio by Kevin J. Powers, 2010-2011.

An Early Jazz Recording Collection by David W. Niven



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From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Thelonious Monk, from the era of 1957-1962. Tape 4. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Charlie Parker, from the era of 1940-1945. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
The David W. Niven Jazz Collection - Catalogue & Notes (Revised 2013-05-18)
Topics: hours, jazz, niven, tapes, cassette, wav, ellington, duke, includes, collection, duke ellington,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Jelly Roll Morton, from the era of 1940 & 1938 Library of Congress Recordings. Tape 6. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Willie The Lion Smith, from the era of 1934. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the...
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From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Lester Young, from the era of 1953-1956. Tape 6. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Thelonious Monk, from the era of 1957-1971. Tape 4A. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Billie Holiday, from the era of 1944-1951. Tape 6. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Benny Goodman, from the era of Brussels World's Fair 1958-1959. Tape 26. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Chet Baker, from the era of 1959. Tape 5. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in order...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Art Tatum, from the era of 1944-1945. Tape 2. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Chet Baker, from the era of 1953-1956. Tape 2. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Duke Ellington, from the era of Anatomy Of A Murder. Tape X3. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Louis Armstrong, from the era of 1928-1929. Tape 6 (Variation). Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Frank Sinatra, from the era of 1940. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Duke Ellington, from the era of 1924-1927. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Joe Venuti & Eddie Lang, from the era of 1929-1930. Tape 3. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Charlie Parker, from the era of 1950. Tape 5. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Stan Getz, from the era of 1957. Tape 5. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in order...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Charlie Christian, from the era of 1939-1941. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Jelly Roll Morton, from the era of 1923-1926. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the...
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From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Joe Pass, from the era of 1963-1973. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Frank Sinatra, from the era of Duets. Tape 9. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Teddy Wilson, from the era of 1940-1944. Tape 6. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Charlie Parker, from the era of 1947-1948. Tape 2. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Bobby Hackett, from the era of 1970-1975. Tape 6. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Lionel Hampton, from the era of 1991. Tape 6. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Art Tatum, from the era of 1933-1940. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Johnny Hodges, from the era of 1963-1964. Tape 31. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Charlie Parker, from the era of 1950-1953. Tape 6. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
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From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Thelonious Monk, from the era of 1948-1952. Tape 2. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Bud Powell, from the era of 1953-1957. Tape 3. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Duke Ellington, from the era of 1965 Europe1 Paris Concert. Tape 95. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Bill Evans, from the era of 1959-1961. Tape 2. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Duke Ellington, from the era of Duke Ellington At The Cotton Club 1938. Tape X2. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Duke Ellington, from the era of Duke Ellington And His Famous Orchestra In Concert At The Pleyel Paris 1958. Tape X6. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Chet Baker, from the era of 1957-1959. Tape 4. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Vic Dickenson, from the era of 1956-1958. Tape 1A. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Louis Armstrong, from the era of 1955-1956. Tape 24. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Lionel Hampton, from the era of 1940-1947. Tape 5. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Stan Getz, from the era of 1958. Tape 6. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in order...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Benny Goodman, from the era of 1934-1935. Tape 6. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Lionel Hampton, from the era of 1953-1954. Tape 5A. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Stan Getz, from the era of 1964-1975. Tape 9. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
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From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Red Norvo, from the era of 1933-1937. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist JJ Johnson, from the era of 1949-1954. Tape 2. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Billie Holiday, from the era of 1937-1938. Tape 3. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Bud Powell, from the era of 1946-1949. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Bud Powell, from the era of 1949-1951. Tape 2. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Fletcher Henderson, from the era of 1923-1924. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Billie Holiday, from the era of 1933-1936. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Billie Holiday, from the era of 1955-1959. Tape 8. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Thelonious Monk, from the era of 1952-1956. Tape 3. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Clifford Brown, from the era of 1956. Tape 11. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
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From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Lawrence Brown, from the era of 1947-1950. Tape 8. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Earl Hines, from the era of 1964. Tape 6. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in order...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Benny Goodman, from the era of 1937. Tape 12. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Teddy Wilson, from the era of 1933-1935. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Art Tatum, from the era of 1956. Tape 7. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in order...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Art Tatum, from the era of 1950-1954. Tape 4. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Art Tatum, from the era of 1954-1955. Tape 5. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Johnny Hodges, from the era of 1956. Tape 22. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Coleman Hawkins, from the era of 1945-1956. Tape 9. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Chet Baker, from the era of 1952-1953. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Benny Carter, from the era of 1980-1987. Tape 13. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Duke Ellington, from the era of 1930-1932. Tape 8. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Benny Goodman, from the era of 1931-1933. Tape 4. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Johnny Hodges, from the era of 1964-1965. Tape 32. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Benny Goodman, from the era of 1935-1936. Tape 10. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Johnny Hodges, from the era of 1936-1937. Tape 4. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Johnny Dodds, from the era of 1927. Tape 4. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Bill Evans, from the era of 1978-1979. Tape 5. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
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From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Joe Sullivan, from the era of 1927-1939. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Johnny Hodges, from the era of 1939-1940. Tape 8. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette,...
From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Bill Evans, from the era of 1956-1959. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave. Each cassette was recorded to a single WAV-format file at 44100 kHz, 16-bit quality, to match the quality of CD-audio. Each resulting WAV file was split at the division between Side A and Side B of the cassette, in...
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